I’ll show this setup in the movie below, but the nice thing about using RCM is that you can simply choose an ST. Using RCM, the proper mathematical transforms for input/timeline and output colorspaces are applied. The basic workflow with HDR grading in Resolve 12 is to use Resolve Color Management or RCM. 2084 and the Dolby Vision PQ EOTF, Resolve supports (rather easily) HDR grading. The DaVinci Resolve development team – in large part due to Resolve being used by some of the top grading houses in the world – has been ahead of the curve (pardon the pun) with HDR.īased on SMPTE ST. Later in the Holiday Marathon, I’ll explore the same subject in Premiere Pro where things are a bit more….interesting. While I’m still figuring out what HDR means for the way I approach grading, I thought I would share some of the technical/workflow bits about getting setup to grade HDR in Resolve. I got a lot out of both of these chats including some clarification on HDR standards & aesthetic considerations for HDR grading.īut the way I learn is by trying things for myself – making mistakes and trying different approaches.Īs I mentioned in that previous Insight, I’m just starting my exploration of HDR and this week and next, I have a top of the line Sony BVMX300 to test HDR workflow within Resolve & Premiere Pro – the two principle pieces of software I use every day. Tutorials / HDR Essentials / HDR Essentials: Getting Setup In DaVinci Resolve Seriesĭay 11: 25 Insights in 25 Days Holiday Marathon Getting Setup For HDR Grading Is Surprisingly EasyĮarlier in this year’s holiday marathon, I interviewed Bram Desmet & Juan Salvo about HDR.
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